
Sunday is a torturous day. When twelve o' clock strikes, the variety shows of ABS CBN and GMA 7 befoul the atmosphere of most Filipino households. Aside from the soap operas, ASAP and Party Pilipinas contribute largely to the backward television programming of the local tv networks. The redundancy, the schmaltz, and the showcase of inept performances are testament to the idiocy of this form of entertainment. Perhaps the avid viewers of these shows are bigots. For the sake of seeing their favorite celebrities do other things than act, they are willing to endure contaminating their eyes with the poor quality of these programs.
In a country where people are over fascinated with ear-shattering vocal prowess, it is no wonder that song number of biritan is a constant element of these noontime shows. The further a singer inflicts punishment to her vocal cords, the more mind blowing. The further a singer deprives herself of oxygen, the more fascinating. Regrettably, these generic breed of singers who subject themselves to laryngeal torture have always been regarded as great musical talents. Yet I beg to disagree.
Furthermore, it is just pure evil, when these Sunday variety shows let a great local band play alongside with their most-often-than-not untalented musically clueless hosts, thereby murdering the overall performance. This poignantly lame noontime show tradition dates all the way back to Kuya Germ's GMA Supershow. Makes me wonder who is the wicked brainchild of this pathetic scheme. Perhaps, even Satan himself will sell his soul to the evil mind who perpetuated this evil tradition.
Noticeably, the obvious lip synching and uncoordinated dance movements rampant in ASAP and Party Pilipinas makes me wanna think I'm time warped to some kindergarten juveniles doing their school program. But these are professional tax-paying celebrities performing at their best-- or worst. This shameless display of lackluster talent can be compared to a man-made disaster created for television.
To escape moronic overload and possible mental retardation, I have ceased in watching these shows. The sad part is, there is no denying that there is a wide audience for these noontime shows. An audience that would go into their school girl kilig frenzy every time a matinee idol dance with his two left feet. An audience that would shrieked every time a male heartthrob does a digitally-enhanced prerecorded song number. Call me cruel. Call me brutal. But the constant top-rating performance of these programs just reflect currently what type of society we live in. This article is not to degrade the followers of these shows. This is more of a call for these programs to change, at least for the better.
